In Gravity’s case, it was a film driven by the DIRECTOR’S vision and technical handling of the material and how that skill created a movie-going experience unlike any other. In Dallas, let’s be honest – it wasn’t the words McConaughey or Leto said that made that movie special – it was the WAY they said them and their immersion in their roles. These were films driven by powerful performances and technical achievement. These were not films driven by powerful dialogue. Looking at the projects that won big last night, Gravity and Dallas Buyers Club specifically, these were not movies driven by story or script. And in 2013, I dare say it was the latter that occurred. And sometimes, it’s the fantastic and powerful performances from the actors that bring the words on the page to life. Sometimes it’s the powerful words on the page that elicit fantastic performances from actors. That being said, my second point is that the lack of mention of the writing and writers from the winners last night I think illuminated something painfully obvious in the films nominated…the writing wasn’t THAT great. If it wasn’t for the WGA, the Screenplay awards would probably be given out at the Creative Arts Ceremony. Screenwriters are hardly ever the FOCUS of the Oscars – it’s a night based around the actors, directors and films themselves. They weren’t dismissed any more than production designers or editors were. They received their Oscars like everyone else in every other category. I even got an email this morning from a client wondering why those responsible for the stories aren’t being appreciated by Hollywood anymore.įirst – while Robert De Niro’s somewhat insulting and stereotypical introduction to the Best Screenplay Oscar didn’t help, I don’t think writers WERE forgotten from the telecast. Couponĭo you want big savings on big thrills? Click here and you can save $22-$55 (35%-40% discount).Since last night’s Oscars ceremony, there has been a lot of chatter by writers (both pro and amateur) on social media that screenwriters were all but forgotten in the telecast and in the winner’s speeches. Zero Gravity is one of the most fun things to do in Dallas! It’s a one-of-a-kind attraction park. And if your friends don’t believe you had the nerve, you can purchase videos of your rides. The net consists 2 stunt quality safety nets secured with reinforced rigging.Ĭan you scream when your heart is in your throat? Come find out for yourself. You’ll be lifted to the top of a 16 story tower and then they will just let you go! No straps, no bungee, no parachute, only you, a 130 foot drop and a safety net. Safety measures include super-elastic bungee cords, nylon safety straps and body straps. You’ll have a topsy-turvy free fall back down complete with flips, turns and twists. The speed will go from zero to 70 in 1.2 seconds. It will rocket you 150 feet into the air. You’ll be strapped into the Texas version of a gigantic slingshot. Want to feel the rush of a 70 mph blastoff? Adventure addicts can get their kicks out of this ride. Enjoy the adrenaline rush! As it slows down, you’ll get a great view of the Dallas skyline from 165 feet above the ground. That force exceeds the force of a space shuttle blastoff. The massive windmill picks up speed quickly and it reaches maximum velocity you’ll be subjected to 4 G’s of force. You and a friend will be strapped into one end of a 165 foot propeller. This is the newest thrill ride in the park. This is an extreme ride for extreme family fun. Used on this ride are ultra-strong steel cables and professional quality hang gliding style harnesses. You can pull your own ripcord on this heart pounding, stomach dropping ride. This exciting ride lifts you and two of your friends to 110 feet in the air and sends you soaring at 60 mph. Their triple safety system includes super-elastic bungee cords, nylon safety straps, and stuntman airbag on the ground.
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